Winchester, England
Maybelle Toombs Award for Practice of Art, University of California, Berkeley
B.A., University of California, Berkeley, California
traveled to Pro-Arts, Oakland, California
SECA Award, San Francisco Museum of Modern Art, San Francisco, California
The Chinati Foundation, Residency, Marfa, Texas
traveled to de Saisset Museum, Santa Clara University, Santa Clara, California (1999)
traveled to Bard College, Rheinbeck, NY
traveled to Kunstlerhaus, Vienna, Austria
The Pollock-Krasner Foundation Award
traveled to Cornerhouse, Manchester, England
traveled to Flanders Graphics, Minneapolis, Minnesota
traveled to Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin
traveled to: The Physics Room, Christchurch, New Zealand
Southern Exposure Gallery, San Francisco, California
Gallery Paule Anglim, San Francisco, California
Gallery Paule Anglim, San Francisco, California
Sculpture Built On The Premises, Upaya Gallery, San Francisco, California
Gallery Paule Anglim, San Francisco, California
Miles Bellamy-113 Crosby Street, New York, New York
Gallery Paule Anglim, San Francisco, California
Angles Gallery, Santa Monica, California
Gallery Paule Anglim, San Francisco, California
Smith Andersen Editions, Palo Alto, California
The Locker Plant, The Chinati Foundation, Marfa, Texas
Petra Bungert Projects / CCNOA, Brussels, Belgium
Gallery Paule Anglim, San Francisco, California
John Beech: New Work, Stark Gallery, New York , New York
Alexander Nagel, Toronto, Ontario, Canada
Built on Site, TD156, San Francisco, California
Rotating Paintings, Gallery Paule Anglim, San Francisco, California
Charlotte Jackson Fine Art, Santa Fe, New Mexico
Peter Blum, New York, New York
Archive Inc. Gallery, Toronto, Ontario, Canada
Brooklyn Container, Brooklyn Central Public Library, New York
(+ Collaborative Drawings 1998 –2003 with Simon Lee and Christopher Lesnewski)
John Beech Works 1989 – 2004, Stiftung für Konkrete Kunst, Reutlingen, Germany
John Beech from the Collection, Albright-Knox Art Gallery, Buffalo, New York
John Beech New Work, Charlotte Jackson Fine Art, Santa Fe, New Mexico
John Beech – New Sculptures and Paintings (with John Meyer – Drawings),
Galerie Gisèle Linder, Basel, Switzerland
Recent Sculpture and Large Scale Drawings, Peter Blum, New York, New York
New Sculpture made on Site and Drawings, Galerie M+R Fricke, Berlin, Germany
John Beech New Work, Gallery Paule Anglim, San Francisco, California
John Beech: Project Space, G Fine Art, Washington D.C.
John Beech New Work: Sculpture and Drawings, Howard Yezerski Gallery, Boston, Massachusetts
That and This: New Work, Peter Blum Chelsea, New York, New York
Galerie Gisèle Linder, Basel, Switzerland
Obscure / Reveal, John Beech & Edward Albee, Peter Blum SoHo, New York, New York
Nohow, CCNOA, Brussels, Belgium
Incidents: Drawings and Sculpture, Galeria La Caja Negra, Madrid
John Beech & John Zurier, Gallery Paule Anglim, San Francisco, California
John Beech: Works for a Wall, Galerie Gisèle Linder, Basel, Switzerland
85-87 FBG. St. Martin (with Galerie Les Filles du Calvaire), Paris, France
Door to the Window, Haus der Kunst St. Josef, Solothurn, Switzerland
John Beech, A Selection of Recent Work, Elizabeth Leach Gallery, Portland, Oregon
John Beech, Portland Art Museum, (Curator: Bruce Guenther) Portland, Oregon
The State of Things, Peter Blum Chelsea, New York, New York
Time Expanded, Charlotte Jackson Fine Art, Santa Fe, New Mexico
The Space Surrounding, Peter Blum SoHo, New York, New York
Likelihood / Unlikelihood, Galerie Les Filles du Calvaire, Paris, France
Galerie M+R Fricke, Berlin, Germany
viewpoint, Haus der Kunst St.Josef, Solothurn, Switzerland
John Beech: Small Wall Objects, Concept Space, Shibukawa, Gunma, Japan
Frieze New York, Peter Blum, New York
Object in Place, Galerie Les Filles du Calvaire, Paris, France
John Beech: New Work, Galerie Gisèle Linder, Basel, Switzerland
Silent Articles, Daniel Marzona, Berlin, Germany
Outside the Drift, Charlotte Jackson Fine Art, Santa Fe, NM
Under Way, Anglim Gilbert Gallery, San Francisco, CA
In Site, Haus der Kunst St. Josef, Solothurn, Switzerland
Kenchis, Studio A03, Tokyo, Japan
Ever, Galerie Gisèle Linder, Basel, Switzerland
Galerie Gisèle Linder
Graduation Exhibition, (John Beech, René de Guzman, Oriane Stender) The White Room, University of California, Berkeley, California
Chain Reaction IV, San Francisco Arts Commission Gallery, San Francisco California
Re: Imperfect Affinities, (Gregory Adair, John Beech, Rene de Guzman) XS Gallery,
Carson City, Nevada
Introductions ’89, Gallery Paule Anglim, San Francisco, California
Towards a New Museum, San Francisco Museum of Modern Art, San Francisco, California
Gallery II: John Beech, Dawn Fryling, Paul Kos, Gallery Paule Anglim,
San Francisco, California
Selections: San Francisco Bay Area, (Curators: Larry Rinder, Enrique Chagoya),
The Drawing Center, New York, New York
The Store, Richard Bennett Gallery, Los Angeles, California
Summer ’91, Richard Bennett Gallery, Los Angeles, California
(CON-TEXT), Richard Bennett Gallery, Los Angeles, California
SECA Award Exhibition, (John Beech, Hung Liu, Maria Porges) San Francisco Museum of Modern Art, San Francisco, California
Re*Generation, San Jose Institute of Contemporary Art, San Jose, California
Edward Albee’s Other Eye, Sculptural Objects from the Edward Albee Collections,’ Hillwood Art Museum, Long Island University, Brookville, New York
Objecthood, Mills College, Oakland, California
Still Lives, Zen Center Hospice Guest House, San Francisco, California
20th Anniversary Exhibition, Southern Exposure Gallery, San Francisco, California
Traction, (John Beech, Paul Dickerson, Richard Nonas), (Curators: Alison Green, Miles Bellamy), Stark Gallery, New York, New York
The Gluers, (Curator: Carrie Lederer), Bedford Gallery, Walnut Creek, California
Painting outside Painting, The 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (Curator: Terrie Sultan)
Gridluck, Marge Goldwater, Inc. New York, New York
Into a New Museum, Part II, San Francisco Museum of Modern Art, San Francisco, California
Plastic, (Curator: Nancy Doll), Bernard Toale Gallery, Boston, Massachusetts
John Beech & James Hyde, (Curators: Natalie and Irving Forman), Charlotte Jackson Fine Art, Santa Fe, New Mexico
Pierogi 2000: The Flat File Drawings, (Curator: Joe Amrhein), The Gasworks, London,
Benefit Exhibition, Momenta Art, Brooklyn, New York
Aspects of Space, Trans Hudson Gallery, New York, New York
The Art of Collaborative Printmaking, Smith Andersen Editions, The Nevada Museum of Art, Reno, Nevada
Permanent Collection Contemporary Art, San Francisco Museum of Modern Art, San Francisco, California (1998-1999)
9+1, Petra Bungert Projects, Brussels, Belgium
All That is Solid, Socrates Sculpture Park, New York, New York
Blunt Object, (Curator: Courtenay Smith), The Smart Museum of Art, Chicago, Illinois
Seven Year Itch, Ambrosino Gallery, Miami, Florida
Here & Now, (Curator: Marian Griffiths), The Sculpture Center, New York, New York
Escape Velocity, Socrates Sculpture Park, New York, New York
‘The Flat Files: Drawings from Pierogi 2000,’ Vasser College, Poughkeepsie, NY
Of Ten, Thatcher Projects, New York, New York
Meaning and Message: Contemporary Art from the Museum Collection, The Oakland Museum of California, Oakland, California
Fetes de Saint Martin. Tourinnes-La-Grosse, (Curator: Javier Fernandez), near Brussels, Belgium.
Into the 21st Century. Selections from the Permanent Collection, San Jose Museum of Art, San Jose, California
John Beech & Christopher Lesnewski: Sculpture and Collaborative Drawings, (Curator: Marian Griffiths), The Sculpture Center, New York, New York
Do Paintings Dream of Veronese Green? (Curator: Maia Damianovic), Elga Wimmer Gallery, New York, New York
Horizontal Vertigo, Rudolph Poissant Gallery, Houston, Texas
Material Issues: Recent Gifts from the Katherine and James Gentry Collection, San Jose Museum of Art, San Jose, California
From Idea to Matter. Nine Sculptors,’ (Curator: Edward Albee), Anderson
Gallery, Virginia Commonwealth University, Richmond, Virginia
Minimalism, Then and Now, University Art Museum, Berkeley, California
Trajectories, (Curator: Marian Griffiths), Smack Mellon Studios, Brooklyn, New York
The Art of Collaborative Printmaking: Smith Andersen Editions, Michael Martin Gallery, San Francisco, California
Industry, (John Beech, John Monti, Richard Thatcher) Thatcher Projects, New York, New York
From Rags To Riches, (Curator: Petra Bungert), Foundation de la Tapisserie des Arts, Tournai, Belgium
Fifteen Years of Painting, Stark Gallery, New York, New York
Surfaces & Support Systems, 123 Watts, New York, New York
El Paisano Hotel, Rudolph Projects, Marfa, Texas
Anymore, (Curator: David Borawski), Real Art Ways, Hartford, Connecticut
Art Brussels, CCNOA, Brussels, Belgium
Las Vegas Collects, Goodman-Duffy Collection, Las Vegas Art Museum, Nevada
Drawing Center 25th Anniversary Exhibition, New York, New York
Five, Charlotte Jackson Fine Art, Santa Fe, New Mexico
XXL1, University Art Museum, Berkeley, California
In a Silent Way, (Curator: Marion Wild), Galerie Gisèle Linder, Basel, Switzerland
Two Step, Video / Sound, CCNOA, Brussels, Belgium
Benefit Exhibition, Momenta Art, Brooklyn, New York, New York
Multiples, Galerie Gisèle Linder, Basel, Switzerland Selections from the Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York
24, Eugene Binder, Marfa, Texas (Organized by John Beech, Eugene Binder)
Modelle des Konkreten, (Curators: Manfred Wandel, Gabriele Kuebler), Stiftung für Konkrete Kunst, Reutlingen, Germany
Small Colours, (Curator: Christoph Dahlhausen), Galerie Eva Mack, Stuttgart, Germany
New Acquisitions, Albright-Knox Art Gallery, Buffalo, New York
Real Red, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Molti Multipli, CCNOA, Brussels, Belgium
Von a bis 2: Editionen, Galerie Gisèle Linder, Basel, Switzerland
20 Years: Multiples, Galerie Gisèle Linder, Basel, Switzerland
In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo, New York
John Beech / David Thomas, Foreign Affairs 3, Proximus, Bonn, Germany
MinimalPop, Florence Lynch Gallery, New York, New York (Organized by CCNOA, Brussels, Belgium)
Void, (Curator: David Gibson), Educational Alliance Gallery, New York, New York
Large Format Works on Paper, Smith Andersen Editions, Palo Alto, California
Spectrum, (Organized by Kate Shepherd), Galerie Lelong, New York, New York
Painted Objects, (Organized by Petra Bungert / CCNOA Brussels, Belgium), PS, Amsterdam, The Netherlands
I Remain the Same: Changed, (Curator: Nolan Simon), Center Gallery, College for Creative Studies, Detroit, Michigan
Extreme Abstraction, (John Beech Small Objects, including sculpture selected from the Permanent Collection by John Beech), (Curators: Louis Grachos, Claire Schneider),
Albright-Knox Art Gallery, Buffalo, New York
The Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York
Beyond Monochrome, Charlotte Jackson Fine Art, Santa Fe, New Mexico
MinimalPop, Galerie Les Filles du Calvaire, Paris, France and Brussels, Belgium
Variations on Yellow, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Drawings, (John Beech, Christopher Lesnewski, Til
Weihnachtsausstellung, Galerie Gisèle Linder, Basel, Switzerland
Double Exposure, CCNOA, Brussels, Belgium
Bird Watching, Rotunda Gallery, Brooklyn, New York
Two Step, (Organized by Petra Bungert) Hertfordshire University Galleries, Hatfield, England
Sculptures, Peter Blum Chelsea, New York, New York
Summertime, Galerie Gisèle Linder, Basel, Switzerland
ststs : Rack 1 – 2006 Brussels, CCNOA, Brussels, Belgium
Ordnung und Verführung, (Curator: Dorothea Strauss), Haus Konstruktiv, Zurich, Switzerland
Spring Fever, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Two Step, (Organized by CCNOA Brussels/ Petra Bungert) Kunstnernes Hus, Oslo, Norway
Eccentric Abstraction, (John Beech, Senta Connert, Wolfgang Ploeger), Galerie M+R Fricke, Dusseldorf, Germany
Minimalisms, Gallery W52, New York, New York
Painted Objects, CCNOA, Brussels, Belgium
‘Artists for Chinati,’ Phillips de Pury, New York, New York
Ähnlichkeiten – Hommage à Fortuny, Stiftung für Konkrete Kunst, Reutlingen, Germany
Rückblick Review: 10 years Berlin, M+R Fricke, Berlin, Germany
Summertime, Galerie Gisèle Linder, Basel, Switzerland
Pas de Soucis…, (Curator: Petra Bungert, CCNOA Brussels), Non-Objectif Sud, Tulette, France
Remix: Small Sculpture, (Curator: Claire Schneider), Albright-Knox Art Gallery, Buffalo, New York
Der Zweite Blick, Stiftung für Konkrete Kunst, Reutlingen, Germany
Pierogi Flatfiling, Artnews Projects, Berlin, Germany Off the Wall, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Remix: Robert Therrien, Albright-Knox Art Gallery, Buffalo, New York
March Madness, Charlotte Jackson Fine Art, Santa Fe, New Mexico
4 from New York, (Organized by John Beech) Charlotte Jackson Fine Art, Santa Fe, New Mexico
Dumpster, (video in collaboration with Einar Westerlund), Screen 1, CCNOA, Brussels, Belgium
The Photograph as Canvas, (Organized by Stephen Maine) The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
My Eyes Keep Me in Trouble, (Organized byTilman) Nieuwe Vide, Haarlem, The Netherlands
Additiv Parallel Synchron Werke der Sammlung, Stiftung für Konkrete Kunst, Reutlingen, Germany
MinimalPop, Arti et Amicitiae, Amsterdam, Holland
Miniaturization, Galerie Gisèle Linder, Basel, Switzerland
Paper, Galerie Gisèle Linder, Basel, Switzerland
Begin Again Right Back Here, (Curator: B.Wurtz), White Columns, New York, New York
Summer 2008, Galerie Gisèle Linder, Basel, Switzerland
Works on Paper: The Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York
My Eyes Keep Me In Trouble, (Organized by CCNOA Brussels), Sydney College of the Arts Gallery (SCA), Sydney, Australia
Howard Yezerski Gallery, Boston, Massachusetts
+ de réalité, École Régionale des beaux-arts de Nantes, Nantes, France
Annual Invitational Exhibition of Visual Art, The American Academy of Arts and Letters, New York, New York
Des Mondes Voisins, Galerie Gisèle Linder, Basel, Switzerland
Common Ground: Color, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Glissements de Terrain, Galerie Les Filles du Calvaire, Paris
30 x 30 cm Project, McNay Art Museum, San Antonio, Texas
Yellow, Galerie Gisèle Linder, Basel, Switzerland
Projet 25 une exposition pour Gisèle, (Curator: Friederike Stangier), Galerie Gisèle Linder, Basel, Switzerland
Art Unlimited 10, Art Basel 40, Basel, Switzerland
PS 1999-2009, PS, Amsterdam, The Netherlands
Prints, Galerie Gisèle Linder, Basel, Switzerland
Thirty Years of Collecting: A Recent Gift to the Museum, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona
Human Rites, (Curator Silvia Karman Cubïná & Steve Holmes) The Bass Museum of Art, Miami Beach, Florida
Living in Two Worlds, Charlotte Jackson Fine Art, Santa Fe, NM
The Artist & The Photograph, (Curator: Clare Kenny), Ausstellungsraum Klingental, Basel, Switzerland
Metropolis, Galerie M+R Fricke, Berlin, Germany
Reflection, Peter Blum Soho, New York, New York
My Eyes Keep Me in Trouble, (Organized by CCNOA, Brussels), La Station, Nice, France
Quantos Queres, Marz-Galeria, Lisbon, Portugal
Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art, San Francisco, California
The Long Curve. 150 years of Visionary Collecting at the Albright-Knox Art Gallery, The Albright-Knox Art Gallery, Buffalo, New York
Carte Blanche à Clare Kenny: Odds and Ends, Galerie Gisèle Linder, Basel, Switzerland
Paper Variables, Dieu Donné, New York, New York
John Beech & Kathrin Kunz, Galerie Gisèle Linder, Basel, Switzerland
CCNOA 30/30 Image Archive Project: A Collective Collection, 71BD Richard Lenoir, Paris
Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland
Hibernation, Oliver Sears Gallery, Dublin, Ireland
Art on Paper 2012, (Curator: Xandra Eden), Weatherspoon Art Museum, University of North Carolina, Greensboro, North Carolina
Mais Que Cherchent-Ils…?, L’Orangerie, Espace d’Art Contemporain, Bastogne, Belgium
Pink, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Virtual Insanity, Fiedler Taubert Contemporary, Berlin, Germany
Drawing a Line in the Sand, Peter Blum, New York, New York
Eretai (John Beech, Lael Marshall, David Rabinowitch, Michael Voss), Riverside Art Museum, Riverside, California
Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland
Histoires et Géographies: Acquisitions récentes du Frac Bretagne, Frac Bretagne, Rennes, France
Coluna 2, Vienne, France
Unruly, Berkeley Art Museum, Berkeley, California
Six Memos for the Next…, Magazin 4 Bregenzer Kunstverein, Bregenz, Austria
Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland
Gauguin to Warhol: 20th Century Icons from the Albright-Knox Art Gallery, San Diego Museum of Art, San Diego, California
Hunting + Gathering: New Additions to the Museum Collection, New Mexico Museum of Art, Santa Fe, New Mexico
Ellipse, (Curator: Erin Lawlor), A3 Municipal Gallery, Moscow, Russia
30 Jahre, Galerie Gisèle Linder, Basel, Switzerland
Regular John, (Curator: Jim Lee) Junior Projects, New York, New York
Traces, Peter Blum, New York, New York
CCNOA 30/30 Image Archive Project: A Collective Collection, A/B/Contemporary, Zürich, Switzerland
Kabinettstücke / Sammlung Gabriele Kuebler, Stiftung für Konkrete Kunst, Reutlingen, Germany
Peter Blum Edition: Books and Prints, Peter Blum, New York, New York
Retrospective Paule Anglim 1923- 2015, Gallery Paule Anglim, San Francisco, California
Quand fondra la niege, où ira le blanc, (Curator: Bernard Marcelis), Galerie Les Filles du Calvaire, Paris, France
Concrete Post 3, raum2810, Bonn, Germany
Concrete Post 2, (Curator: David Thomas), PSSR Gallery, RMIT University, Melbourne,Victoria, Australia,
Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland
Radical: Monochrome Paintings from the Goodman Duffy Collection, George Lawson Gallery, San Francisco, California
Dumbball: David Ireland and his Circle, Anglim Gilbert Gallery, San Francisco, California
Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland
Unique and Multiple: Selections from Smith Andersen Editions, the Legacy of Paula Z. Kirkeby, (Curator: Robert Conway), de Saisset Museum, Santa Clara University, Santa Clara, California
John Beech and Bernd Lohaus, Artissima, Turin, Italy
Great & Small, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Subvert City, (Curator: Vincent Como), Minus Space, Brooklyn, New York
21 Grenchen Triennale, (Curator: Reto Emch), Grenchen, Switzerland
Discourse: Abstract, (Curator; Gayle Ruskin), Anita Rogers Gallery, New York, New York
Backstage: The Rear Side (Die Rückseite), (Curator: Burkhard Brunn), Thomas Rehbein Galerie, Cologne, Germany
MK2: Zwolf Positionen Zeitgenossischer Malerei, (Curator: Martin Reukauf), Zeughaus Uster, Uster, Switzerland
Memento Mori, (Curator: Burkhard Brunn), Daniel Marzona, Berlin, Germany
A Space full of Drawings and a Drawing in Space, Daniel Marzona, Berlin, Germany
Implicit Movement, (Curator: Burkhard Brunn), Gallery Sofie Van de Velde, Antwerp, Belgium
Cose Naturali / über das Wesen der Dinge, Galerie M+R Fricke, Berlin, Germany
Baker, Kenneth, Promising Debut of John Beech, San Francisco Chronicle, 29 July 1989
Levy, Mark, Evans, Art International, Winter 1990
Porges, Maria, San Francisco Fax, Artissues, November 1991
Bonetti, David, Door-Opening Readymade, San Francisco Examiner, 17 September 1991
Levi-Strauss, David, John Beech, California Magazine, September 1991
Tin Nyo, Paula, No Pencils, Selections Bay Area Drawing, Artweek, May 1991
LaPalma, Marina, (Con-Text), New Art Examiner, March 1991
Watten, Barrett, Cultural Strategists: 1992 SECA Art Award at SFMOMA, Artweek, 11 May 1992
Bonetti, David, SFMOMA SECA Exhibit, October 1992
Baker, Kenneth, John Beech at Upaya, ARTnews, September 1992
Baker, Kenneth, SECA Award Show, San Francisco Chronicle, 27 September 1992
Caldwell, John and Bishop, Janet, essay and interview, SECA Art Award Catalogue, San Francisco Museum of Modern Art, September 1992
Zyzzyva Literary Journal, cover + 27 pages of drawings reproduced, Summer 1992
Fazzolari, Bruno, Auto Conceptual, Artweek, 21 May 1992
Baker, Kenneth, John Beech Builds a Show at Upaya, San Francisco Chronicle, 27 April 1992
Baker, Kenneth, Sculpture With Poise and Humor, San Francisco Chronicle, 10 November 1993
Roby, Dianne, Beech at Anglim, Artweek, 4 November 1993
Baker, Kenneth, Things Good From Spectator’s View, San Francisco Chronicle, 14 March 1993
Bonetti, David, Mills College, San Francisco Examiner, 12 March 1993
Smith, Roberta, Corcoran Biennial, New York Times, December 1995
Baker, Kenneth, Details Know Their Importance, San Francisco Chronicle, 5 December 1995
Bonetti, David, John Beech at Paule Anglim, San Francisco Examiner, 1 December 1995
Kelley, Jeff, text for Corcoran Biennial Catalogue, December 1995
Sultan, Terrie, Off the Wall and Beyond the Frame, Catalogue essay 44th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery, November 1995
Taplin, Robert, John Beech at Miles Bellamy, Art in America, February 1995
Bensley, Lis, John Beech & James Hyde, Santa Fe New Mexican Pasatiempo, 7 June 1996
Damianovic, Maia, Painting Beyond Limits, Tema Celeste, April 1997
Estep, Jan, Blunt Object, New Art Examiner, December 1998
Big Bend Sentinel, Marfa, Texas, October 1998
Smith, Courtenay, Blunt Object Exhibition Catalogue essay, September 1998
Sillen, Kim, Here & Now, New York Arts Magazine, June 1998
Freedman, Matt, Here & Now, Exhibition Catalogue essay, April 1998
Vandendries, Jean, L’art et les matieres de Fernandez, Le Soir (Belgium), November 4 1999
McFadden, Sarah, Text, Tourinnes-La-Grosse exhibition catalogue, November 1999
Baker, Kenneth, John Beech at Paule Anglim, ARTnews, June 1999
Hickson, Patricia, Into the 21st Century: San Jose Museum of Art, Catalogue essay, May 1999
Johnson, Ken, John Beech & Christopher Lesnewski, New York Times, April 30 1999
Smith, Roberta, Upper East Side, New York Times, April 30 1999
Newhall, Edith, Texas Two-Step, New York Magazine, April 19 1999
Maclay, Catherine, Material Issues, San Jose Mercury News, April 11 1999
Bakke, Erik, Studio Visit: John Beech, New York Arts Magazine, April 1999
Everett, Deborah, Beech & Lesnewski, New York Arts Magazine, April 1999
Bonetti, David, Bay City Best, San Francisco Examiner Magazine, March 14 1999
Scherr, Apollinaire, Stranded in Marfa, Oakland East Bay Express, February 19 1999
Baker, Kenneth, Sculptures With Delayed Punch Lines, San Francisco Chronicle, February 5 1999 Chinati Foundation newsletter Volume 4, image reproduced, 1999
Levin, Kim, John Beech at Stark Gallery, The Village Voice, December 26 2000
Everett, Deborah, Trajectories, Brooklyn, New York Arts Magazine, November 2000
McLeod, Deborah, Running on Empty, Richmond Virginia Style Weekly, October 31 2000
Rand, Harry, Catalogue essay From Idea to Matter, October 2000
Bonetti, David, Charting 35 years of California Art, San Francisco Examiner, January 6 2000
Carel, Sari, John Beech at Stark Gallery, Zingmagazine Issue 15, June 2001
Knepp, Gregorio, From Idea to Matter, Sculpture Magazine, May 2001
Chinati Foundation newsletter Volume 6, image reproduced, 2001
Weiderman, Paul, Necessary Roughness, Santa Fe New Mexican Pasatiempo, October 11 2002
Becker, Helena Kanyar, Painting on the Move, Basel, Atelier 16-17, August 28 2002
Benz, Marion, Ein Rhythmus sucht sein Bild, Basler Agenda, June 6 2002
Bollen, Christopher, Surfaces and Support Systems, Time Out New York, January 3 2002
Pierogi Press, Number 8, image reproduced, Brooklyn, 2002
Bakke, Erik, The history of the world vs. your aesthetic, NY Arts Magazine, June 2003
Worth, Alexi, John Beech at Peter Blum, The New Yorker, April 21-28 2003
Kuebler, Gabriele, Zwei Kunstler ‘Vor Ort’, Reutlinger General-Anzeiger, December 3 2004
Benz, Marion, Von der Farbe, John Beech und John Meyer in der Galerie Linder, Baz, Basel, Switzerland, November 14 2004
John Beech from the Collection, Albright-Knox Now, March-April 2004
The Forman Collection, Albright-Knox Now, January-February 2004
Gordon, Ann, Center Galleries: Remaining Changed, realdetroitweekly.com, November 2005
Kuspit, Donald, John Beech at Peter Blum, Artforum International, November 2005
Verhagen, Marcus, John Beech, On Waste and Space, Modern Painters, October 2005
Hirsch, Faye, Abstract Generations, Art in America, October 2005
John Beech at Peter Blum, The New Yorker, September 12-18 2005
Nymphius, Friederike, Minimalpop, Peinture: Cinq Regards, Editions du Regard, catalogue essay, Galerie Les Filles du Calvaire, October 2005
Huntington, Richard, A Sampling of all Things Abstract – Old and New, The Buffalo News, August 13 2005
Maine, Stephen, The Photograph as Canvas, Art on Paper, September-October 2005
Buhmann, Stephanie, John Beech Recent Sculpture and Large Scale Drawings, The Brooklyn Rail, July-August 2005
Finch, Charlie, Buffalo Soldier, Extreme Abstraction, Artnet, August 2005
Huntington, Richard, To the Extreme, The Buffalo News Gusto, July 15 2005
Johnson, Ken, John Beech at Peter Blum, The New York Times, July 1 2005
Beech at Blum, Listing with image reproduced, Modern Painters, July 2005
Boykoff, Joan and Baron, Reuben M., The Forman Collection, Artcritical.com, July 2005
Huntington, Richard, Blues Clues, The Forman Collection, The Buffalo News Gusto, June 10 2005
Gassch, Cynnie, A Meditative Spirit, The Forman Collection, Buffalo AV, May 12 2005
Gassch, Cynnie, Monochromes, Buffalo AV, May 5 2005
The Natalie and Irving Forman Collection, Albright-Knox Now May-June 2005
Lorent, Claude, Les Voies Multiples de l’Abstraction, La Libre Belgique, May 4 2005
King, Sarah, John Beech at Charlotte Jackson, Art in America, February 2005
MacAdam, Barbara, MinimalPop, ARTnews, February 2005
Dreher, Sabine, Subtiler Hinterhof-Charme, Reutlingen General-Anzeiger, January 13 2005
Zu Mecklemberg, Christina, @proximus, bonner initiative verbindet kunstwelten, Junge Kunst #61, January 2005
Loire, Cedric, Less is Pop, L’Art Meme, Paris, January 2005
McQuaid, Cate, From Ordinary to the Sublime, Boston Globe, October 26 2006
Dawson, Jessica, Beech at G Fine Art, Washington Post, September 30 2006
Benz, Marion, Ein Hauch von Sommer, Baz, Basel, Switzerland, July 20 2006
Baker, Kenneth, Beech at Anglim, San Francisco Chronicle, April 22 2006
Meister, Helga, Galerie Fricke Dusseldorf, Westdeutsche Zeitung, February 7 2006
Dressler, Christiane, Nicht vergessen!, Rheinische Post, February 2 2006
Ribas, Joao, Minimalisms, Brochure text. January 2006
Boucher, Brian, John Beech at Peter Blum, Art in America, December 2007
Pas de Soucis pour NOS, La Tribune, (France Sud), June 28 2007
Fate of Modernism, (series of photographs reproduced), Multitudes Magazine Online Paris, June 2007
Time Out New York, The High Line (2 images reproduced from Blum), April 2007
Collins, Tom, Messy Minimalism: 4 from New York Albuquerque Journal, February 16 2007
John Beech & Edward Albee: Obscure/Reveal, Time Out New York, November 2008
Albee, Edward, The Art of John Beech, Essay for Peter Blum Exhibition, October 2008
John Beech – Project Space: cover + 6 pages of images, ART LIES, #58, Summer 2008
Bouyiatiotes, Anastasia, John Beech – Nohow, New Europe, Arts and Culture, March 30 2008
Dubois, Colette, John Beech at CCNOA, H Art #33, Belgium, March 6 2008
Zarza, Victor, John Beech: Incident, Madrid, November 2009
Pozuelo, Abel H., John Beech: Incidents, El Cultural, Madrid, November 2009
Fazzolari, Bruno, John Beech and John Zurier, Stretcher.org, July 2009
Cummings, Mary, Combining the verbal talent of Edward Albee with the vision of John Beech, The East Hampton Press & The Southampton Press, June 9 2009
Zyzzyva Literary Journal, 2 pages Artist Notebook drawings, Spring 2009 Edition, Volume XXV No.1
Fischer, Annina, Am Anfang war eine Fotografie, Baz, Basel, Switzerland, August 11 2010
HG, Die Grosstadt ist eine einzige Ausstellung, Taz.de, Berlin, Germany, July 7 2010
Thüring, Reto, Die Tiefe der Oberfläche, Baz, Basel, Switzerland, May 27 2010
Hybrid Dumpster Drawings, Azurebumble.wordpres.com, December 22 2011
Goodman, Jonathan, John Beech at Peter Blum Gallery, Sculpture Magazine, November 2011
Buhrfeind, Eva, Extra für dieses Haus geschaffen, AZ Median Der Sonntag #41, October 16 2011
Cabinet Magazine Issue 42 Forgetting, drawing reproduced, August 2011
A/Art Blog, August 2011
Motley, John, Artist finds Substance among the Scrap, The Oregonian, July 1 2011
Pollack, Barbara, John Beech at Peter Blum Chelsea, Art News, April 2011
Prison Photography Website, John Beech’s Dumpster Remix, March 5 2011
ArtCat, Top Pick, John Beech at Peter Blum Chelsea February 2011
Van Arsdale, Sarah, John Beech at Peter Blum, NY Institute of Photography Blog, February 17 2011
Gopnik, Blake, Daily Pic: Reutlingen Factory Yard #1, Blake Gopnik on art, January 21 2011
Irwin, Matthew, Time Expanded, Art Ltd, November 2012
Nathan, Emily, John Beech: The Space Surrounding, Artnet.com, April 2012
Babics, Michael, John Beech: Haus der Kunst St.Josef, Kunst Bulletin, October 2014
Buhrfeind, Eva, Der Ausstellungsraum als› Atelier und Ort der Inspiration, AZ Median Der Sonntag #37, 9.2014
Prasentation des neuen Buches John Beech, AZ Solothurn, Switzerland, June 23 2015
Derrien, Pierre-Quentin, John Beech, Object in Place, Art Absolument, Paris, France, September 2016
Chapuis, Frédérique, John Beech – Object in Place, Télérama, Paris, France, September 2016
Benoit, Guillaume, John Beech – Galerie Les Filles Du Calvaire, Slash, Paris, France, September 2016
Hoffmann, Annette, Aller Anfang ist Grau, Basler Zeitung, Basel, Switzerland, June 25 2016
Nixon, Brian, Outside the Drift: A Discussion with British-American artist John Beech, Assist News Service, International Press Association, September 23 2018
Bamberger, Alan, John Beech at Anglim Gilbert Gallery, ArtBusiness.com, March 24 2018
Azzarello, Nina, Minimal Sculptures from Industrial Materials, DesignBoom, January 13 2018
Meixner, Christiane, Dreck machen, Tagesspielgel, Berlin, January 6 2018
BSH, Alles eitel, alles prekär, Tagesspielgel, Berlin, Germany, January 24 2019
Albright- Knox Art Gallery, Buffalo, New York
San Francisco Museum of Modern Art, San Francisco, California
Frac Bretagne,France
Manfred Wandel / Stiftung fur Konkrete Kunst, Reutlingen, Germany
Oakland Museum, Oakland, California
San Jose Museum of Art, San Jose, California
Berkeley Art Museum, Berkeley, California
Laguna Art Museum, Laguna Beach, California
Museum of Art, Fort Lauderdale, Florida
de Saisset Museum, Santa Clara University, California
The Martin Z. Margulies Collection, Miami, Florida
New Mexico Museum of Art, Santa Fe, New Mexico
Kunstmuseum, Basel, Switzerland
Microsoft Corporation, Seattle, Washington
Sidley and Austin, New York, New York
Pfizer Corporation, New York, New York
Bank of America, Los Angeles, California
Robertson Stevens & Co., San Francisco, California
Roche, Switzerland
Swiss Re, New York, New York
KFW Bank, Frankfurt / Berlin, Germany
Shoes or no Shoes? Ghent, Belgium
Henry Art Gallery, University of Washington, Seattle, Washington
Edward Albee, New York, New York
Pamela Anderson, Los Angeles, California
Alex Balkanski, Woodside, California
Agnes Bourne, San Francisco, California
Matthew & Nancy Browar, La Jolla, California
Minnie Driver, Los Angeles, California
Ann Hatch, San Francisco, California
Michael and Roberta Joseph, Williamsville, New York
Marilyn Minter, New York
Verena and Niklaus Mueller, Zurich, Switzerland
Steven Oliver, San Francisco, California
Maria Giuseppina Panza, Switzerland
Robert Storr, New York, New York
David White, New York, New York